GeekyArtistArabWoman - Lubzi

The juice of my heart

I call myself Lubzi. I am from Palestine. I live there too
I am a blend of cultures, a salad of sounds, colors & words. I like to create. I love learning. I aspire to inspire. I seek freedom, harmony, peace and justice. I like to be a bridge between hearts and minds, between people from different cultures and backgrounds.
Here you'll find my theatre sound designs, audio art pieces, some of my writings and sketches & all kinds of crazy mixes and audio experiments that I do.

Saturday, December 31, 2011

More عبثية

ما حد سائل..
لأني مش منكم..
لأني مش مثلكم..
لا متلَك ولا مِتله ولا متلها..
مش مهمة متلكم..
مش شيخة..
مش اشي كتير متلكم..
مش غنية..
ولا أصلية ..
لا أنا مسلمة ولا ملحدة
ولا مسيحية..
ما ليش مكان أنا..
في تقسيماتكم الاجتماعية...
لا انا من طبقة ناعمة بيضا..
بضة.. غضة.. أرستقراطية
ولا من عيلة ذات اي اهمية..
بتمروا جنبي ما بتشوفوني..
ولا المرحبا بتردّوها..
لا بتردوا السلام..
ولا بتفتحوا مجال..
لأي كلام..
عشاني انثى في عالم ذكوري..
فنانة في عالم مادي متطرف.
اماكن الفن فيه محدودة ومعدودة
ومحسوبة ومدروسة.
وتكاد تكون معدومة.
انا مش متلكم مهمة.
لا أنا معروفة... ولا مشهورة..
الظلم في حياتي حقيقة..
وإحساس بالحزن والألم ..
ودايما مقهورة...
بتخبط بين يأس وآمل
ما بين احلام لسة ما تحققت.
ووعود مكسورة..
وفقلبي نار
تحت الرحى.. مجروشة..
وبقاوم باستمرار..
بعرف،
ما الي عندكم جدوى اقتصادية..
او فايدة عملية..
لا عندي منصب ولا مركز حساس..
لا رح أزيدكم شهرة
او شعبية..
بوينتلس أنا الكو..
أنا بوينتلس أنا..

مش من هون أنا...
وين ما بروح أجنبية..
أنا اللي رقصت عالسلالم
في العتمة
سنين وسنين..
لا حد سمع ولا حد شاف..
رقصتها العبقرية..
مش من هون أنا..
ولا حتى هون أنا..
بعيدة كتير أنا ..
عن كل آشي..
عن كل حدا...
في الغربة منفية..
مش من هون أنا..
ولا من هون
او هون او هون..
انا الغريبة..
البرّانية...
ناسف على الوضع..
ناسف على الحزن...
نأسف علي العبثية..

كل عام وانتم بخير.. انتوا وكل البشرية..

Blind Privilige

I look up ...
and all i see ..
is  whiteness..
above me..
like a bright light..
blinding me..
Blind betterness..
that cannot see me..
and does not want to..
see me..
or hear me..
or know of me..
whiteness shines so bright
it hurts my eyes..
It doesnt care
It doesnt know..
it doesnt want to know..
That down here...
in the bottom of the well..
it is bitterness..
it is pitch black..
Sorry to piss you off, 
sorry to disturb your calm, 
my dear, 
but it looks very different 
from down here!

Stories of stories.. and the stories about them

Editing my book turned out to be its own story. So far, 5 people offered to do it, one changed his mind about doing it for free, the other 4 volunteered to do it totally free, for the sake of justice and human rights, they said.  1 dragged her feet and didn't have the energy/ time anymore. One overestimated her ability to do the job.  The other 3  started but then 'it didn't work out'. I don't think any of them were that serious for real to start with, not as serious as they thought they were. Many people don't know themselves. These volunteers were Jewish and White / European . Interestingly , None of them were of Arab or Palestinian origin. I did approach some north American Arabs but most of them were too busy to even answer, let alone help, شيوخ ماشالله  . in addition, most thought i was asking for too much! that only means they think it is too much to give to the Palestinian cause. None of them helped so far. The most I got was: Mabrouk. not that much mabrouk if i cant get the book out to the world, is it? I am talking about activists from a class I once belonged to (on the margin, around the lower edges) .
Many of those I approached, volunteered more opinions than actions.   'You can't ask someone to do something for free!?' many of them said. Of course I can! because I did it myself. I still do. I give my time and heart and volunteer for human rights till i am blue in the face without expecting a thank you. A I am sure I am not the only one like this in this world. A world that is full of loving gentle compassionate human beings. Many of which have raised about their petty little egos and developed the capacity to CARE beyond their family and tribe and worked out their identity issues and are ready to be humans, to see other humans. to jump through compassion into their humanity.

The stories involved in my "editor quest" are worth telling. stories of indifference, denial, guilt... Stories of racism, entitlement, and sexism, stories of ignorance and white privilege. stories of Zionism and Jewish identity issues, Arab identity issues, Palestinian identity issues, immigrant identity issues, all kinds of identity issues. even white identity issues.
so called activists enjoying and even making a living off of causes that others live and fight for and die for. Some claim to defend & try to represent those they indirectly participate in crushing. Self proclaimed justice activists who are too busy enjoying their middle class privileges to have a dialogue with the underprivileged that they claim to be fighting with/for... all kinds of discoveries; in a nutshell, stories of power dynamics . a lot of juicy stories.
Even though pro palestinians , anti zionists, pro justice, feminists, human rights activists , social justice activists etc...  are all over the place wherever i look,
Yet  West Bank stories book is still unedited, unpublished, unread. Like an unborn baby. Once again I'm looking for an editor.
But
new stories are being written. stories of a book that is not born to a person with privilege or power so it stays unborn, unread, unheard. A book of a unique voice about a unique time and place. Stories that ache to be heard, but cant find worthy allies to help them see the sun.

Not yet. 

Happy new year, by the way.

Friday, December 9, 2011

Introduction to my book : West Bank Stories - by Abd El Majid Hamdan + his Bio - in English (Translated from Arabic)

This is the first draft. I translated it from Arabic 

Foreword By Abd El Majid Hamdan

This book: This book is not a novel, or story. It is not a diary, not even the writer's childhood memories. It is tales from the reality of a childhood of a Palestinian child from the city of Christ's Nativity, Bethlehem. A female child whose luck, or fate decided that she would arrive to this world a few days after the rest of her homeland fell in the grip of a cruel ruthless occupation. It was Israel's occupation of the rest of Palestine, or what was known as the Gaza Strip and the West Bank of the River Jordan. It was natural, as she was raised under this occupation, that it would leave its fingerprints all over the details of her life, in the forefront of her soul. But this child, like the majority of the Palestinians, has resisted attempts to disfigure her soul, and succeeded.

Hence perhaps it might seem to the reader, for the first glance, that the writer will stuff her book with fabricated stories about the brutality of occupation. But she, who has succeeded in saving her soul from disfiguration, did not do that. She, when subjected to the occupation, stands only at those stories, or events, which touched her life directly. On the basis of absolute confidence in human goodness, whatever their religion or ideology, she keeps looking hard, and tells tales which confirm that in the society of the occupation there are good people, which denies that society the status of 'the wicked'.

On each page of the pages of this book, I found amazing beauty. I admit that I was confused by that beauty. The copy that I read, once, two and three times, was just a draft of the book. And my literary English doesnt help me to discover the esthetics of the sentences and their structures. I asked myself a lot: So from where did the secret of this aesthetic come? I remembered a Palestinian proverb that gifted me the key to the secret of this beauty. The Palestinian quote says: "Honesty gives birth to beauty, but lying breeds only ugliness."

Throughout telling her childhood tales, the writer was committed to the truth, and stayed away from any attempt to embellish her stories. That is what brought her writing to this wonderful aesthetic, and gave her stories this power of persuasion. The best evidence of the sincerity of her stories is her recognition that her childhood is not the typical Palestinian  childhood. She was, to an extent, a lucky child. She did not live the harsh life of Palestinian children in refugee camps, villages or poor city neighborhoods. She did not suffer the hardships they endure. She was a lucky girl because she grew up in an educated, middle-class family which left her the freedom to research and the pursuit of knowledge, without restricting her with society's restrictions and did not impose any ideas or beliefs that are not consistent with the movement of her mind.

In addition to the honesty which gave this beauty to the book, the writer decorated it with a number of beautiful drawings, most are a product of her creativity, that increased the beauty of beauty. But despite that, dear reader, and when you see the cover of the book, perhaps you would say: 'I never heard of this writer, what does she have to give to me? A story of a childhood in Bethlehem!? What would that mean?! Will she tell me anything I didn't know?'.  I have to admit, dear reader, that I said that as I started reading the draft copy of the book. I know the writer since the day she was born! I know details of her childhood and adolescence and maturity. I am Uncle Abed that she talks about in her stories. She is the twin of my daughters, and the daughter of my life long friends. Despite the fact that I dont prefer to read in English, because my English is limited, The writer's tales had a different plan.

Once I started reading, I felt as if the writer held my hand gently, to bring me back, and I have resigned, to forty years behind. to the playgrounds of her childhood. The fields she discovered, the trees she climbed and their branches she hung on. Plants, insects and animals, which she explored at the start of her journey. I started hearing her singing again, as she played and jumped rope. I followed them, her and Salam, my daughter, in their childhood adventures that are innocent and wild at the same time. They took me with them as they climbed trees, and swung on their branches like a couple of small monkeys. I enjoyed their exploration journeys of the world and its secrets.

With successive pages of the book, A smile floated on my lips a lot. I laughed at times, anger and sadness overwhelmed me at times. This happened exactly as the writer expected. In one of her stations, I began to pace above the sorrow, tears started gathering in my eyes, and then suddenly, I burst into tears. The sound of my sobbing called my wife from a nearby room, frightened, she asked me what happened. She tried to calm me down but to no avail. Having calmed down a bit she asked me what made me cry. I said, still choking and a rock in my throat suffocating me: Wadida! She said:  Wadida died 35 years ago, what reminded you of her now? I remained silent. She said: 'It must be Lubna'. I said: Yes.  it is Lubna's honesty in telling the event. Honesty that recalled that event as if it is just happened now. Honesty in how she displayed the disease of my daughter Wadida, and the pains she suffered, after the accurate presentation of the her distinguished character, is what made me live again those cruel moments, and then burst into tears.

In the Tales in the book, Lubna not only takes you on a journey to explore the playgrounds of her childhood, Palestine's trees and their delicious fruits, pets and animals and how children treat them, her school, her friends, and her teachers. She also takes you on a fun journey to the corners of Bethlehem and the Church of the Nativity, and to Jerusalem, and its old streets. I walked with her, I got overwhelmed with the sense of pleasure that filled a child. As my mouth filled with that sense of bitterness, and longing to return to Jerusalem, a longing that is being killed by the separation wall, torn by the brutality of the occupation soldiers on the prevention barriers.

And the joy of reading grows with the transition of the writer from tales of childhood, to the tales of the search for knowledge and truth. A research journey which began in the early days of infancy, and went forward at the age of adolescence until completed at the age of maturity. A trip that will you will not feel boredom, but a lot of great pleasure as you follow it.
So, it is a book, dear reader, that you will not regret reading, on the contrary, you might say after reading it: I would have lost a lot if my if I wasnt lucky enough to discover this book.
And to the writer, with all the love and gratitude, I say: Thank you, O beloved, for giving me all this pleasure with the lines of your book. Thank you for giving me this beautiful gift.
I thank you for proving your talent that i saw in you in your early childhood. Thank you for taking pride in the nickname I gave you in your early childhood: 'El fannana'. (the artist).



Abd El Majid Hamdan is the son of Arourah village, near Ramallah. He was born in 1938. He graduated from high school in 1957 and joined the Faculty of Science, Alexandria University. He graduated in 1962, then he became a teacher of mathematics and physics for grades 11 and 12 until the year 1974. He Was arrested and got fired from teaching after two days of his 'administrative' arrest in the prisons of the Israeli occupation, where he stayed for two years, at the end of which they released him and informed him on the same day that he was not allowed to teach anymore. He wasnt allowed to approach the field of education.

Mr Hamdan started working in the press with the release of the 'Taliaa' newspaper.  He became a columnist, then an author of political articles in more than one newspaper and magazine such as : Al Kateb, Al Watan and Al Ittihad.

In prison in year 1975, Mr Hamdan was chosen as member of the Central Committee of the Communist Party of Jordan, then a member of the central Committee and the Political Bureau of the Communist Party of Palestine. Then a member of the Palestinian People's Party,  until retirement. In 1997, Mr Hamdan was appointed assistant of the Secretary-General. In the third conference he was selected as a member of the Secretariat, then he became the Secretary General between 2000 and 2003. He then applied for retirement, while retaining the membership of the Central Committee, until the first government of national unity, where he completed his retirement fully.

Publications: Mr Hamdan's first book: 'The promise in the Torah' was published in 1993, , He since then wrote and published a total of 13 books.

 1 - The promise in the Torah 1993
 2 - Palestinian democracy in practice 1995
 3 - 100 questions about democracy c {1} 1995
 4 - The uprising 2002 , an assessment attempt.
 5 - The rights of women between the robe of law and the law of the tribe 2005
 6 - 2006 Testimonies
 7 - political reading in the two eras -Mohammadi and Rashidi / The Mohammadi era 2006
 8 - political reading in the two eras -Mohammadi and Rashidi / The Rashidi era 2007
 9 - A look at the cause {part1} 2007
10 - 100 questions about democracy c {2} 2008
11 - A look at the cause {part2} 2009
12 - Entering the field of taboos 2010
13 - The Free Muslim (female) 2011

West Bank Stories - Book Introduction by Abd El Majid Hamdan - Arabic


هذا الكتاب : هذا الكتاب ليس رواية ، أو قصة
. وهو ليس مذكرات ، ولا حتى ذكريات عن طفولة الكاتبة . هو حكايات من واقع طفولة طفلة فلسطينية ، من مدينة مهد المسيح ، بيت لحم . طفلة شاء حظها ، أو لنقل قدرها ، أن تطل على الدنيا ، بعد بضعة أيام من وقوع بقية وطنها في قبضة احتلال قاس لا يرحم . هو احتلال إسرائيل لبقية فلسطين ، أو ما كان يعرف بقطاع غزة والضفة الغربية لنهر الأردن . وكان بديهيا ، وقد نشأت في ظل هذا الاحتلال ، أن يترك آثار بصماته على تفاصيل حياتها ، وفي المقدمة روحها . لكن هذه الطفلة ، كأكثرية الفلسطينيين ، قاومت محاولات تشويه روحها ، ونجحت.
من هنا ربما يتراءى للقارئ ، ولأول وهلة ، أن الكاتبة ستحشو كتابها بحكايات مختلقة عن وحشية الاحتلال . لكنها ، وقد نجحت في إنقاذ روحها من محاولات التشويه ، لا تفعل ذلك . فهي ، حين تعرض للاحتلال ، تقف فقط عند تلك الحكايات ، أو الأحداث ، التي مست حياتها مسا مباشرا . وانطلاقا من ثقتها المطلقة بإنسانية الإنسان ، أيا كان دينه أو أيديولوجيته ، تبحث جاهدة ، وتورد حكايات ، تؤكد فيها أن في مجتمع الاحتلال من الناس الأخيار، ما ينفي عنه صفة مجتمع الأشرار.
وفي كل صفحة ، من صفحات هذا الكتاب ، طالعتني جمالية مدهشة . وأعترف أن الحيرة تملكتني بخصوص هذه الجمالية . فالنسخة التي قرأتها ، مرة واثنتين وثلاثة ، كانت مجرد مسودة الكتاب . وانجليزيتي الأدبية لا تساعدني على اكتشاف جمالية العبارات وتراكيبها . وتساءلت كثيرا : إذن من أين أتى سر هذه الجمالية . وتذكرت مقولة فلسطينية أهدتني مفتاح سر هذا الجمال . تقول : " الصدق يلد الجمال ، أما الكذب فلا يلد إلا القبح " .
التزمت الكاتبة طريق في إيراد حكايات طفولتها ، التزمت بالحقيقة ، وابتعدت عن أية محاولة لتزويق حكاياتها . ذلك ما أضفى على كتابها هذه الجمالية الرائعة ، وما جعل حكاياتها بهذه القدرة على الإقناع . وليس أدل على صدق حكاياتها من اعترافها ، بأن طفولتها ليست النموذج لطفولة أطفال فلسطين . فهي ، بقدر ما ، كانت طفلة محظوظة ، لم تعش قسوة حياة أطفال المخيمات والقرى وأحياء المدينة الفقيرة ، ولم تعاني شظف عيشهم . طفلة محظوظة لأنها نشأت في أسرة مثقفة ، من الطبقة الوسطى ، تركت لها حرية البحث والسعي للمعرفة . لم تقيدها بقيود المجتمع ، ولم تفرض عليها أفكارا ، أو معتقدات ، لا تتفق مع حركة عقلها.
وإلى جانب الصدق الذي أضفى هذا الجمال على الكتاب ، زينته الكاتبة بعدد من اللوحات الجميلة ، أكثرها من إبداعها ، لتزيده جمالا على جمال . لكن ورغم ذلك ، عزيزي القارئ ، وحين يقع نظرك على غلاف الكتاب ، ربما ستقول : هذه كاتبة لم أسمع بها ، فما الذي ستقدمه لي ؟ حكاية طفولة من بيت لحم ؟! وما الذي سيعنيه ذلك ؟ !هل ستقدم لي معلومة كنت أجهلها ؟ ! وأصارحك عزيزي القارئ أنني أنا أيضا قلت ذلك وأنا أفتح المسودة . فأنا أعرف الكاتبة منذ يوم ولادتها . وأعرف تفاصيل مسيرة طفولتها ومراهقتها ونضوجها . فأنا عمو عبد في حكاياتها . وهي توأم بناتي ، وديدة وسلام . وهي ابنة صديقي عمري . ومع أنني لا أفضل قراءة الأدب بالإنجليزية ، لضعف إتقاني لها ، كان لحكايات الكاتبة رأي آخر . فما أن بدأت القراءة ، حتى شعرت وكأن الكاتبة أمسكت بيدي برفق ، لتعيدني ، وأنا مستسلم لها ، أربعين سنة إلى وراء . إلى مرابع طفولتها . الحقول التي استكشفتها ، والأشجار التي تسلقتها وتدلت على فروعها . النباتات والحشرات والحيوانات التي بدأت رحلة التعرف عليها . عدت أسمع غناءها وهي تلعب وتنط الحبل . تبعتهما ، هي وسلام ، في مغامراتهما الطفولية البريئة والصاخبة في آن . أخذتني معهما وهما تتسلقان الأشجار ، تتأرجحان على فروعها ، مثل زوج من القردة الصغيرة . أمتعتني رحلات استكشافهما للدنيا وأسرارها . ومع توالي صفحات الكتاب ، طافت البسمة على شفتي كثيرا . ضحكت أحيانا ، وتملكني الغضب والحزن أحيانا أخرى . حدث ذلك كما توقعت الكاتبة تماما . وفي إحدى محطاتها ، بدأت وتيرة حزني تعلو ، والدموع تتجمع في عيني ، ثم وفجأة انفجرت باكيا . واستدعى صوت نشيجي زوجتي من غرفة مجاورة ، ولتسألني مذعورة عما جرى . حاولت تهدئتي دون طائل . وبعد أن هدأت قليلا سألتني عما أبكاني . قلت والغصة ما زالت تخنقني : وديدة . قالت : وديدة ماتت قبل 35 سنة ، ما الذي ذكرك بها الآن ؟ سكت . قالت هي لبنى إذن . قلت : نعم هو صدق لبنى في رواية الحدث . صدق استدعى ذلك الحدث وكأنه يقع الآن . صدق عرضها لمرض وديدة ابنتي ، والآلام التي كابدتها ، بعد عرض دقيق لتميز شخصيتها ، هي ما جعلني أعيش من جديد تلك اللحظات القاسية ، ومن ثم أنفجر باكيا.
في حكايات الكتاب لا تكتفي لبني باصطحابك في رحلة التعرف على مرابع طفولتها . على أشجار فلسطين وتذوق ثمارها الشهية . على حيواناتها الأليفة وتعامل الأطفال معها . على مدرستها وزميلاتها ومعلماتها . هي أيضا تأخذك في رحلة ممتعة إلى زوايا بيت لحم وكنيسة المهد ، وإلى القدس وحواريها . مشيت معها ، وغمرني ذلك الإحساس بالمتعة الذي ملأها وهي طفلة . كما ملأ فمي ذلك الإحساس بالمرارة ، وشوق العودة للقدس الذي يقتله جدار العزل ، وتمزقه غلاظة جنود الاحتلال على حواجز المنع .
وتكبر متعة القراءة مع انتقال الكاتبة من حكايات الطفولة ، إلى حكايات البحث عن المعرفة وعن الحقيقة . رحلة البحث التي بدأت مبكرة من أيام الطفولة الأولى ، ومضت تتقدم في عمر المراهقة حتى اكتملت في سن النضوج . رحلة لن تشعر بالملل ، وإنما بالكثير من النشوة وأنت تتابعها .
إذن هو كتاب لن تشعر عزيزي القارئ بالندم على مطالعته . وعلى العكس قد تقول بعد القراءة : كنت سأخسر الكثير لو أن الحظ عاكسني ، ولم أقع على هذا الكتاب . وإلى الكاتبة بكل الحب والامتنان أقول : أشكرك أيتها الحبيبة على منحي كل هذه المتعة مع سطور كتابك . أشكرك لأنك منحتيني هذه الهدية الجميلة ، بإثباتك لصحة رؤيتي لموهبتك في ذلك الوقت المبكر من طفولتك . أشكرك لاعتزازك باستبدالي لاسمك باسم الفنانة ، الاسم الذي دأبت على مناداتك به .
عبد المجيد حمدان - أو عمو عبد
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أنا ابن قرية عارورة محافظة رام الله ومن مواليد العام 1938.تعلمت في مدرستها وأنهيت الثالث الإعدادي في العام 1955 . انتقلت إلى الهاشمية الثانوية البيرة ، وتخرجت منها العام 1957. ألتحقت بكلية العلوم جامعة الإسكندرية ، حيث تخرجت في العام 62 لأعمل بعدها معلما للرياضيات والفيزياء للصفين الحادي والثاني عشر حتى العام 74. اعتقلت وجرى فصلي من التعليم بعد يومين اثنين من اعتقالي الإداري في سجون الاحتلال الاسرائيلي والذي دام قرابة السنتين ، لأبلغ بمنعي من الاقتراب من التعليم يوم الإفراج عني . بدأت العمل في الصحافة مع صدور الطليعة ، حيث أصبحت كاتب عمود ، ثم كاتبا للمقال السياسي في أكثر من صحيفة ومجلة
الكاتب
صوت الوطن
الاتحاد
.. في السجن وفي العام 75 تم اختياري عضوا للجنة المركزية الحزب الشيوعي الأردني ،فعضوا للمركزية والمكتب السياسي للحزب الشيوعي الفلسطيني ، فحزب الشعب الفلسطيني حتى تقاعدي . في العام 97 تم تعييني مساعدا أونائبا للأمين العام ، وفي المؤتمر الثالث عضوا للأمانة العامة ، فأمين الأمانة العامة بين العامين 2000 و2003 ، حيث تقدمت بطلب التقاعد ، مع الإحتفاظ بعضوية اللجنة المركزية ، حتى أول حكومة للوحدة الوطنية ، حيث استكملت التقاعد التام .الاصدارات:صدر أول كتبي في العام 93 وهو الوعد في التوراة ، وحيث بلغت اصداراتي عشر كتب منها ثلاثة من جزئين ليكون المجموع 13 كتابا آخرها المسلمة الحرة.
  • 1- الوعد في التوراة 1993
  • 2- الديمقراطية الفلسطينية في الممارسة 1995
  • 3- عن الديمقراطية 100 سؤال {ج1} 1995
  • 4- الانتفاضة محاولة تقييم 2002
  • 5- حقوق المرأة بين رداء الشريعة وشريعة القبيلة 2005
  • 6- شهادات 2006
  • 7-قراءة سياسية في العهدين المحمدي والراشدي/ العهد المحمدي 2006
  • 8-قراءة سياسية في العهدين المحمدي والراشدي/ العهد الراشدي 2007
  • 9- اطلالة على القضية {ج1} 2007
  • 10- عن الديمقراطية 100 سؤال {ج2} 2008
  • 11- اطلاله على القضية {ج2} 2009
  • 12- دخول الى حقل المحرمات 2010
  • 13- المسلمة الحرة 2011

Thursday, December 8, 2011

Coconut Girl and the Mirror

This was published in Mizna sometime in the late 90s:
Once upon a time coconut girl ran into a child holding a rock..
The child’s eyes turned into a big mirror...
Coconut girl saw the mirror for the first time in her life...
A moment of self-discovery..
She didn’t like what she saw,,
She was scared..
She smashed the mirror...
100,000 pieces the mirror scattered...
Each one has the same picture: Coconut girl..
A l00, 000 coconut girls..

The child died on the cross..
Went to heaven..
A whole generation passed..
The 100,000 mirrors grew up mirror trees..
Each with 100,000 more mirrors with brown girls on them..
Mirrors speak;
I am your identity,
I am your grandmother El hajjeh, back in the old country
Look into my eyes; I’m your mirror
Erase me from your diary; you can’t erase me from your genes.
Brown on brown
She tore down grandmother’s picture
But grandmother still existed
The more she avoided looking into the child’s brown eyes..
The more she was dissolving
Living in denial is the best cure!
She turned off the history..
She preached;
I’m felicity,
I am beige now!
I’m the saint of all saints,
I study people
I’m above everyone
I’m exotic
I am hummous
I am tabbouleh!
I’m just another coconut girl who tells people what is right and what is wrong
And in the meantime I uproot me..

To be Arab and proud, what a combination!
Is it logically feasible?
It scares me when I see those pictures of my grandmothers that I burnt...
I apologize to the mirror and the children..
It’s not about you

Grandma visits me in my dream,
passes her gentle loving hand on my forehead
And forgives me.
My self-hatred is blinding my vision;
The cowboys taught me that I am brown because I am dirty,They invented Clorox!
I washed me with Clorox so that I can fit.
I don’t want to be dirty!
Grandma visits me in my dream,
Passes her gentle loving hand on my forehead..
And forgives me...

Brown bleached girl got pregnant..
She gave birth to a little brown boy who was holding a rock..
I’m a mere rusty brown link on the chain of “us’s” identity..
I happened to be a prime number..
A second generation ya grandmother..
Don’t blame me!

Brown Jesus visits me in my dream,
Passes his gentle loving hand on my forehead..
And forgives me...
Once upon a time coconut girl ran into a child holding a rock..
The child’s eyes turned into a big mirror...
Coconut girl saw the mirror for the first time in her life...
A moment of self-discovery..
She didn’t like what she saw,,
She was scared..
She smashed the mirror...
100,000 pieces the mirror scattered...
Each one has the same picture: Coconut girl..
A l00, 000 coconut girls..

The child died on the cross..
Went to heaven..
A whole generation passed..
The 100,000 mirrors grew up mirror trees..
Each with 100,000 more mirrors with brown girls on them..
Mirrors speak;
I am your identity,
I am your grandmother El hajjeh, back in the old country
Look into my eyes; I’m your mirror
Erase me from your diary; you can’t erase me from your genes.
Brown on brown
She tore down grandmother’s picture
But grandmother still existed
The more she avoided looking into the child’s brown eyes..
The more she was dissolving
Living in denial is the best cure!
She turned off the history..
She preached;
I’m felicity,
I am beige now!
I’m the saint of all saints,
I study people
I’m above everyone
I’m exotic
I am hummous
I am tabbouleh!
I’m just another coconut girl who tells people what is right and what is wrong
And in the meantime I uproot me..

To be Arab and proud, what a combination!
It logically feasible?
It scares me when I see those pictures of my grandmothers that I burnt...
I apologize to the mirror and the children..
It’s not about you

Grandma visits me in my dream,
passes her gentle loving hand on my forehead
And forgives me.
My self-hatred is blinding my vision;
The cowboys taught me that I am brown because I am dirty,They invented Clorox!
I washed me with Clorox so that I can fit.
I don’t want to be dirty!
Grandma visits me in my dream,
Passes her gentle loving hand on my forehead..
And forgives me...

Brown bleached girl got pregnant..
She gave birth to a little brown boy who was holding a rock..
I’m a mere rusty brown link on the chain of “us’s” identity..
I happened to be a prime number..
A second generation ya grandmother..
Don’t blame me!

Brown Jesus visits me in my dream,
Passes his gentle loving hand on my forehead..
And forgives me...

Wednesday, November 9, 2011

Update on my 1st book (West Bank Stories)

I lost my first editor and still looking for the suitable person who has enough passion and drive to edit the book for FREE. Someone who is so passionate about justice and peace and children's rights that they are willing to give their time and effort with absolute love and without expecting money.
Why? Because Palestine deserves it. Because The children deserve it. Because values are more valuable than money. Because justice needs it. Because we are all connected and have a responsibility towards our children. Because when we relief the suffering of others , we relief our own suffering and clean up our Karma. Because the future can be made much better than the present if we give unconditionally and love without limitations.

The Collaborator's daughter



I just read that Hamas was established in 1987. How could that be? I was a kid when I first heard of Hamas in the West Bank. I was 12 or 13 years old. It was in the mid- late seventies not in the eighties. People in my parents' social circle were talking about 2 new fishy movements: Hamas & Hamam! Hamas: حركة المقاومة الاسلامية Islamic Resistance Movement and Hamam, the Christian Resistance Movement. حركة المقاومة المسيحية.
In Arabic Hamas means: enthusiasm. Hamam means: pigeons! Hamam didn't stay on for long. It disappeared in a few months magically just like it had appeared 'magically'.
To all people that I knew & respected it was clear that Israel was behind both movements. The designer was too obvious, The proof was that representatives of these movements were known collaborators & corrupt individuals. In a small city people know each other & know everyone's history.
One of the first to be known from Hamas was my friend's father. He was known as a collaborator. He walked around with a gun on his side. I didn't see the gun, only heard about it. He boasted about his powerful relationships with the military ruler & Israel's occupation Administrators
His name was Moussa. He wore dark glasses. He felt distant & aloof. His family and my family were good friends before he went in his shameful direction. They lived right next door in the same duplex. They both rented. His wife was a good woman, friendly, warm, nice. My mother liked her & befriended her. The 2 families had kids around the same age so we played together and became friends. Their eldest daughter, Tamara, was around my age in my school & in the same grade, we sometimes studied together. we were close friends. She was an excellent student.
When her father started having money. He built them a house in the lower side of our neighborhood. They moved to their new house that had also a nice big garden full of big trees.
After the move he became more bold about his Israel connections. He had his own home and was inviting more fishy people and having fishy meetings... My dad cut his ties with him. My mom stayed friends with his wife but was visiting her much less.
I remember visiting Tamara. I tried to avoid going into her house. We spent most of the time in her family's garden. It had all kinds of trees. I remember how me, Tamara , and some other kids used to climb those trees. We played on the trees. We spent long blissful hours on tree branches, Playing, climbing, swinging... picking & eating fruits.. dreaming, pretending, Joking, laughing, imagining...
Tamara had long blond hair. She was petite, calm, polite, nice, she didn't gossip. I stayed friends with her even after it became known to the world officially that her father was a collaborator with Israel. I thought it isn't fair to condemn someone because their father is a bad person. I know Tamara. I know she has innocence and a kind heart and wouldn't do what her father did. all Moussa's kids were like Tamara. Polite, nice, had good manners and people liked them. They were like their mother not like their father. Maybe he wasn't around long enough to influence them negatively. I think they were more influenced by their mom, their schools, the neighborhood ..
In Moussa's funeral only very few people attended, close family barely attended... He was killed in the middle of the day right in front of everybody. He was 'executed' by masked people who Everyone was saying belonged to the 'National movement' الحركة الوطنية. They were said to be the youth who lead the first intifada. it was around the time of the first intifada. They say his blood trickled down the manger street hill and filled the street with red. He was 'executed' right in front of his office in downtown in front of his sons who worked with him in his travel agency/ cab business.
The image is still in my head even though I didn't see it. People described it over & over & over! The killing, the funeral.. The LESSON!!
People in my circle didn't exactly cheer but they recognized that's the way it goes. You sell your people. You pay the price. Some where relieved that he was 'neutralized' because all the hurt he was causing would stop. And because he hurt Palestinians & the Palestinian cause a lot in the past by collaborating with the occupying army & their representatives & providing them with all kinds of info that Israel uses to further hurt & try to strangle the Palestinian resistance. I thought it was brutal the way he was killed.
My parents were sad for his wife & kids. I was very sad for them too, especially for my friend Tamara. Why did these kids have to pay such a high prices for crimes they didn't commit. I can only imagine the pain of their social shame.. The trauma!!
Tamara was good looking & well mannered so she got married off early & ended up in leaving the West Bank with her new husband to some oil Arab country. I was happy for her. I hoped it will be good for her to move away from all her shameful family history and start a new life where she will not be carrying the heavy load of stigma & hopefully have a chance heal from the trauma of her painful past.

Birds & freedom

Birds & freedom

Birds are free. There are so many songs about wanting to be free like a bird. I wonder why do birds sing. I love birds. I also eat them. I am not happy with that. I don't want to be their enemy and devour birds. It is a habit that I grew up with that is hard to stop. But I do try to be reasonable. I am mindful, thankful, and respectful when I eat animal meat. That is the least that I can do.
There is a poem that I learned as a child that still rings in my heart:
الحيوان خلق The Animal is a creature
 له عليك حق You owe it its rights
 ان كل دعه يسترح If he got tired let it rest
وداوه اذا جرح Heal it if it got wounded
 ولا يجع في داركا Never let it go hungry in your house
 او يظما في جواركا or go thirsty while with you
 بهيمة مسكين Poor Animal
 يشكو فلا يبين when it complains we cant tell
لسانه مقطوع as if its tongue is cut
 وما له دموع as if it has no tears

Growing up, I was fascinated with birds. Birds are beautiful creatures that fly in the sky, or do they? Not all of them. There are birds in cages, there are birds in coops waiting to be killed and eaten ! Sadly , not all birds are free. When I was a kid I used to love going to the village to visit my aunt. I still do. She lives in a village near Jerusalem. When I was a kid, we used to go almost every weekend, on Eids* and special occasions. Sometimes, when our parents had to travel and couldn't take us with them, we kids spent weeks there without mom & dad. We stayed with our 3amma. -ّ_N. The symbol 3 here represents the letter 'Ein in Arabic, which can be left out for people who can't say it. That's what we call her. : El 3amma, it means: ‘The Auntie’. The Amma has a garden with all kinds of fruit trees in it. She has birds too. When I was a kid she had chicken, pigeons, a couple of goats and some rabbits too.
I loved staying with the Amma because she was gentle and loving. She was also very smart and resourceful; She was able to make things. She made carpets with her own hands. She designed the loom, sheered the sheep, spun the wool into balls of strings. She then dyed the wool and then weaved it into beautiful colorful carpets. She even designed the patterns as she was weaving.
The Amma made bread too. She made big shrak bread on the saj. She had a little dome shaped building made out of rocks right outside her house in the front garden. Inside this little room there was a saj oven, it is a dome shaped steel thing called the saj. The Amma collected dry branches and stuck them under the saj and lit the fire. When the saj is hot enough, she spreads the dough in the most skillful fashion like an Italian chef makes pizza, she rolls the dough with her hand in the air so fast until it becomes as thin as paper and then while turning it around in the air, she flips it so that it would land on the Saj. In a few minutes the delicious smell fills the air and the beautiful big round thin hot shrak bread is ready to eat. Palestinians call it shrak or saj bread. It smelled like the elixir of life. No bread is more delicious than the bread my Amma makes on her saj.
My Amma lived in a beautiful village, surrounded by nature. I enjoyed being there. The Amma had animals and lots of trees. There were a lot of kids to play with. I played with my cousins and their friends. I learned a lot from them. I loved being in their world which was very different from my world. I was more like a city kid.
Later when I did go to real cities I discovered that Bethlehem wasn't really a city. I discovered it was a town. I realized I was a town kid, still, to the village kids, me and my siblings were very different. They were not like us, we were too soft, we were cleaner, our clothes were nicer. They were tougher than us. They had information we didn't have, particularly about nature. They had stories and songs that were very interesting. They had folklore. I learned there about el Ghoula who eats kids! A traditional way to scare kids is to mention this Ghoula. I was impressed with the village kids strength and courage. Nothing seemed to scare them. I wanted to be courageous and tough like those kids.
When I was very young. My aunt's village didn't have electricity or running water. My cousin fetched the water from a well nearby. I watched her with terror. She was a teenager with a wide imagination and I was an impressionable little child. She liked telling folk tales and singing folk stories. When we were at the well, she particularly enjoyed telling me stories about the Ghoula and kids who fall in wells... I was amazed watching her get the water from the well without fear, so casually. The bucket was made from black rubber. I remember how she secured the rope with her feet, threw down the bucket into the well. Then like a fisherman with his fishing rod, she pulled and threw a bit further until the catch is made. When she pulled, the bucket came out shining black full of fresh cold delicious water. The floppy bucket had to be handled with skill so that the precious water doesn't get spilled out. Then she had a big tin can were she emptied the water that she just fished. She needed half a dozen buckets to fill the can. Then she carried it all the way to the house. I tried to help but I was too little. My cousin made me a mini watering bucket from a small tin can and a long thread. That made me very happy. I enjoyed the daily water fetching trip & observing my cousin do her chores. I helped feed the animals. The pigeons & rabbits lived together in a big barn-like building made of tin. It had no roof. Pigeons could fly away. They did fly and come back. They sat on their shelves up on the walls. I thought it was stupid of them to come back, where their babies will get picked up & end up on our dinner table! People prefer to eat baby animals. Sad but true. The chickens had a their own little house. In the morning we go get the eggs. I was so excited I could die. :). The suspense! What will we find today? How many eggs? I loved eggs. Getting them from the chicken personally and then enjoying eating them right away was very pleasing to me. A part of me feels guilty that I took the chicken unborn babies & ate them. The poor chickens. It is not fair how we eat them too. I used to watch the chickens for hours. I was very interested
in comparing them to each other, trying to figure out their characters, watching how they relate to each other. Kids had stories they imposed on the chicken: like: there was a black little hen that kids called the crazy chicken! the kids weren't too nice to animals. Especially chicken. Chicken can't fly like the pigeons, kids enjoyed practicing their power over them. They sometimes threw pebbles at them so the they would jump of fear and quack! I thought that was a horrible thing to do. I did do it though at times, pure peer pressure. I wanted to be respected by the village kids. That caused me to compromise my own integrity. Later I'd feel bad and promise not to scare the chickens. Isn't it bad enough that I eat them. I felt bad about that. I tried to become a vegetarian when I was a teenager but I lasted less than a couple of weeks. My dad had a barbecue and I could not resist. The poor black chicken was not crazy, she was smaller and slower than the other chickens, she couldn't escape from the kids pebbles as fast. She got too scared too fast. She was jumpy and terrified and running in fear more than the rest. The poor chicken was a victim of human cruelty & power abuse. The kids also liked raiding small birds' nests and eating their eggs. I thought that wasn't ok. A person needed to eat at least 6 of these eggs to have a reasonable meal. I thought it wasn't fair to do that to the beautiful birds. They just want to have babies. They should have the right to be safe. As I grew older and stronger I became bolder in defending birds. On one of her birthdays, my sister wanted birds. Mom and dad got her birds in a cage. I couldn't let that happen.
Nothing seemed to annoy me more that seeing birds in a cage. I was obsessed with their freedom. 'Why are they in a cage? Because you think they are pretty?', I told my sister. I told her that she was being unfair to deprive them from their natural right to fly freely in the sky and live their life as they want. I told her that she was being selfish to cage them just because she loves them and loves their singing. I told her this singing is maybe them crying for their freedom. My poor sister. I put her in a hard place. Adults told her that her birds aren't able to make it outside the cage because they don't have survival skills, because they were raised in captivity. Adults gave her the impression that if she let the birds fly that would be like killing them, that the cats will eat them in no time. My poor sister was torn in conflict. I told her: Even so, maybe the birds would rather die free than live in a cage. Freedom is their right. I feel bad now how i made her suffer but the birds' freedom was my priority. I appealed to my sister's heart: “Imagine you are them. All day in a cage, you can't even move properly, you can't use your wings. While watching this beautiful world full of trees and flowers and free birds. You like your freedom, how can you take it away from the birds?” , I told her. My speeches made her cry. To make it worse some of the birds were dying, I told her it must be because of sadness. I really believed it. There was only 2 birds left, Eventually she let one of them fly away. My sister was 6 or 7. The dilemma was too hard for her. Waheed, the remaining bird died soon after. I think he got too lonely. How was all this drama useful?. Why does a little child wish for birds in a cage to start with? The result is two dead birds and a sad little girl. All she wanted is to love and admire the birds. Me too, all I wanted is to set them free. My mom and dad wanted us to be happy. How come the result was death and pain?
He was small and weak. His name was Waheed, which means alone in Arabic. He died alone. In the cage.

Monday, September 19, 2011

West Bank Stories - A Childhood in Bethlehem, Palestine | Table of Contents

Here is the table of contents for the book I just finished writing


For technical reasons, Jerusalem isn't showing up in the table of contents. But it is there of course in the book, in the 'Special Places' Chapter. As a matter of fact, It is the most special place of all.

I finished writing my first book :)

I was fortunate to find a good editor, she started working on the book this week. I am now researching publishing options and other details necessarily to get the book out to the public.

Feel free to like the book's Facebook page :)

Thursday, July 7, 2011

Wadida


I want to tell you about Wadida.


She is was first friend ever, we grew up together, she was beautiful, with green eyes, and dark blond curly hair. Her father, Ammo Abed was my idol, he was a communist leader , a great man who sacrificed everything for Palestine.
Me and Wadida grew up together, we fought the boys together, explored the fields, climbed the trees, played and played. We went to kindergarten together.

They took our fathers in the same day, we were neighbours, and our families were very close friends, and we were together all the time, Ammo Abed and my dad were teachers in the same school, they used to go to work together everyday, come back together everyday, and me and Wadida would play together everyday.

I can hardly remember what happened, I remember that there were noises, and darkness, I was in 1st grade 6 years old or something, and so was Wadida , I remember my mother was crying. My mother and Wadida’s mom would sit together and talk about the prison, and our fathers, and listen to the radio. Lots of people whom i don’t know came to our house and my mom was repeating the story over and over again; how they came in the middle of night and took my father, they didn’t give him the chance to change his clothes, they took him in his pyjamas and slippers. They also said that it is very cold in the prison, and i would imagine Ammo Abed and baba in one cell and baba is wearing his pyjamas.

My father used to take us to the fields;  Me, my brother, Wadida and her 4-year old sister Salam. he would play with us, he made nakkakeef for us (to catch birds) and teach us about trees and rocks and plants. I missed him.

Then Wadida became sick, she had a headache all the time, they took her to Hadassah, and i didn’t see her anymore, whenever i ask , they tell me she is sick, I got impatient, i always asked when would she become well so that we can play together again.
They said she had an operation, and my mom is visiting her in Hadassah, and her mother is in Hadassah, what is this Hadassah (i thought) and me and Salam are wondering what the hell was happening, my mother's temper was really bad, I was scared to ask a lot of questions, and i didn’t know who to ask.

I would hear the neighbours talking about Wadida, ya 7aram , maskeeneh, poor girl, Allah y3een imha (may god help her mother), but i was still waiting for her to become well and come back so that we can play together again.

My father came out about six weekd later, but Ammo Abed was still in jail. They must have realised that my father is not really an activist or a communist, he is just Ammo Abed's friend.

I remember the day he came out, he was still in the pyjamas, but he had a coat on top of the pyjamas, or maybe it's just my imagination. We didn’t know they released him, they never tell you, the same way they never allowed for a trial, they just take people when they feel like it and release them when they want to, (if they want to) , and you cant ask why.
Some kids from the neighbourhood came running to our house, calling my mother, 'Abu khalil is out!!' they informed her excitedly. My mom ran out to the street , and she saw baba, and just like the old Egyptian movies, they ran towards each other, until they ended up in each other's arms, all the 7ara (neighbourhood) was watching, (they've never seen such a romantic scene in the middle of the 7ara, even between married couples. the most they've seen is newly engaged couple walking while holding hands. I was very happy, i did the running act too. i remember my father's smell that i missed.

Wadida didn’t get better, she was still in Hadassah, and they were still operating on her, and the hope for Ammo Abed to get out was getting less and less. His lawyer (Velitsia Langer) was fighting just to get him a trial (but this never happened).
My father told me Wadida is coming back from the hospital, but he told me that she will be in bed, and that I should be very nice to her because she is sick. and that she lost her hair and is wearing a wig now and i shouldn’t laugh or comment about that.

Wadida was their first child, she was her father's precious, Velitsia tried to get a permission for Ammo Abed to visit her, but the Israeli authorities refused.
My parents were always at Wadida's place, sometimes she'd wake up in the middle of the night, in pain, and ask for my father, he tells her stories, and jokes, she loved him, children always loved my baba.
Sometimes she'd ask for me, so I would go there , and she would play with me (as much as she can, laying in that bed), she would ask me to tell her stories and things about school, she always dreamt of going back to school.
My sister was 2 or something, my parents decided to have another kid after my father got out of the prison, I wasn’t thrilled.
Ever since she existed in the world, my sister, never saw Wadida out of the bed, she grew up thinking Wadida just lives there.
I gave up on the idea of playing with her again, especially that her health was getting worse, she had brain cancer, and she was dying. they told me several times she was very very sick but i never connected that to dying.
I played with Salam, her sister, and we were becoming close friends, and we used to write our dreams and wishes, I found a 'diary book' that I used to write in as a kid, I used to call it the red book, where i write everything i wish for, and draw , and play with words. In the red book, me and Salam wrote about our wish that Wadida would get better, but she didn’t , that was the beginning of our atheism.
We always thought it is not fair that God would make our child friend hurt and suffer, while the yahood are getting stronger and Ammo Abed is in jail.
Sometimes, or actually most of the times i dreamt I’d become 'superman' and kill the yahood and free Palestine. that dream was so real for me, i almost believed it. I was waiting impatiently to grow into 'superman' but i grew into just me.

Wadida's operations were getting more, and her pain was getting more, not only that she cant walk, she cant move her hands anymore, and she cries a lot. She was suffering.
I heard that the yahood finally agreed to allow Ammo Abed to see her, they brought him in a military Jeep , escorted by a dozen soldiers, he was handcuffed, he cried. I wasn’t there, of course i wasn’t there, but Auntie Im Wadida said that some of the soldiers cried.

And then one day, something happened, Wadida died. Me and Salam cried, we though we should even though we didn’t feel much, i for myself was in my imaginary world and not feeling anything, just numb. I thought crying would be the right thing to do .

I don’t remember the sequence of things, i think Ammo Abed was out at that point, because I remember the Koran in the day of Wadida's death in our house. ( i hated listening to Koran , it made me angry ). I thought they were hypocrites , no one there is religious, and God tortured Wadida, and took her away, and the yahood are still there, now they put Koran!? how hypocrite grown ups can be!

On that day, Ammo Abed didn’t say anything, I remember me sitting in his lap, he was stroking my hair.

I think i was around 9 years old when she died.

Tuesday, June 28, 2011

Goblins dance - Featuring infected mushroom+ Martin Luther King + Tchaikovsky + more ..

Emotional Frustration

Emotional Constapation

Emotional Confusion

A night of passion

9 inch Kurdish #audioArt #sounddesign

Nar Ass #soundesign #audioart

The Love Boat version 2.11 - #AudioArt @sounddesign

"How the world found peace" #audioArt #sounddesign

Around the world.. #AudioArt #Sounddesign

Friday, June 10, 2011

Check out this article I wrote :Childhood & politics in Palestine

Here is more info about my birthsong that i mention in the article:

A Whiter Shade Of Pale - Procol Harum

A while ago a friend tweeted a tool that tells you the name of the number one song on the charts on your birthday. Awesome tool ..so of course I was very excited to know .. For me this is a very significant piece of information!
So, this is my birth song. This is the number one song that was playing when I was born! Isnt that profound?
These are pictures of the world as it was when I came into it! These people sang that song the day of my birth! Today!
I dont understand the lyrics tof this song. No one seems to understand them.... they sound profound .. dont they ? The "truth" might be "plain to see" but the lyrics of this song arent as plain to understand.




More info: Lyrics & more versions of the song 

Monday, April 18, 2011

My Favorite Tweets


Thursday, March 10, 2011

ما هي الديمقراطية العربية؟



انت حر برايك بس أنا ما بحب رأيك وبعتبره غلط وبعتبره راح يؤدي بك الي التهلكة وقاع جهنم الحمرا. بس 
مخي متفتح وبتقبلك لكن من واجبي كانسان مسؤول وبهمه أمرك أحاول أقنعك ان رأيك غلط وان رأيي صح وهو الطريق الي النجاح والفلاح والصلاح.
اي نقاش في الموضوع بعتبره تهجم علي حرية رأيي في ان اعتبرك غلط واعاملك كانسان ضال وضائع عن طريق الصواب والحكمة. مش مهم علي ايش بنيت آرائي. اصلا أنا مش داري. حد قال شي وكرره وصارت هاي حقيقتي اللي بدافع عنها بروحي وبفديها بحياتي ومالي وعيالي. واذا أنا اكبر منك طبعا أنا صح خاصة اذا أنا ذكر.
هذه هي الديمقراطية العربية.


غروبة - سورية يا حبيبتي أعدتي لي كرامتي اعدتي لي هويتي

وبعضنا يسير..
في القمع والتقصير..
مُمرمطاً كرامتي..
مُبعثراً حريتي..
مُبهدلاً هويتي...
طَرَ
رَرَط
طَ را
في الحرب والكفاح
وشعلة الجراح
تدير طبل غنوتي
يا...
يا يا يا حبيبتي..
طَرَ رَرا..
طَرَ رَرا...
طَرَ رَرا..
طَطَ
طَ طا..
الان..
الان الان
....الان ..
الان....
الان الان
...الان...
الان..
اني غَرَبي..
يحق لي اسم غبي ..
انا الغبي .. الغبي الأبي ..
الغبي الأبي..
يا..
يا يا يا حبيبتي..

Tuesday, March 1, 2011

Theatre #sounddesign - Midsummer Night's Dream - All sound cues used in the actual play

Theatre #SoundDesign : Romeo & Juliet - Preshow version B

Romeonjulie by Lubz

Believe as a fact

فضائية من كوكب شرطج

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ابو ٣ وجوه

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خضرة بنت خضير

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يا رب

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Peace

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upside down - inside out



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Falasteen

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القدس

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كاسة

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امير جزر الئمر

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Abdool

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Facial heir




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Pedro

 
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morpho

 

 

 
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Drop of Blood

 
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كندا

 
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المحبة مبسطة

 
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المحبة

 
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